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A concise dissection of the myths that created Con Art - above all the myth that art has to shock to be new. The multi-million dollar reputations of Duchamp, Warhol, Beuys. Hirst and Koons and many others are exploded. Their art is worthless as art because it isn't art.
- Sales Rank: #1770874 in Books
- Published on: 2012-03-24
- Number of items: 1
- Dimensions: 9.00" h x .10" w x 6.00" l,
- Binding: Paperback
- 44 pages
About the Author
Julian Spalding was director of art galleries for the cities of Sheffield, Manchester and Glasgow. He established the award winning Ruskin Gallery, the Gallery of Modern Art (Glasgow), the St Mungo Museum of Religious Art and Life, the Open Museum and the Campaign for Drawing. His books include: The Poetic Museum - reviving historic collections: The Eclipse of Art - tackling the crisis in art today; The Art of Wonder, a history of seeing (which won the Bannister Fletcher Prize as the best art book of 2006) and The Best Art You've Never Seen - 101 hidden treasures from around the world (a Rough Guide). His satirical novel about the contemporary art scene, called Nothing On, is also available on Amazon Kindle.
Most helpful customer reviews
10 of 13 people found the following review helpful.
who or what is the con ???
By Mr John E Utans
I bought this book wanting to gain an insight to current arts practice. I'm unclear as to how any one can take this writing by Julian Spalding seriously. It is fair enough to have an opinion, but opinions need to be backed up, supported & thought through. Throughout the book Spalding makes references to artists & their work, but doesn't include any detail or any context to the work. The writing appears more like a name dropping dinner party guest who actually has never met or been in the same room as the person. Putting David Hockney on par with Michelangelo is a reflection of the depth (or indeed, the lack) of analysis and critical thinking this book revels in.
To anyone seriously wanting to investigate contemporary art, its artists, art & the world surrounding it, this book offers nothing other than the what appears to be a very personal attack.
Alas, it was released on April 1st, so maybe this conceptual provocation is really a work of art in itself...
another thought:
The artist who is after success lets himself be influenced by the public. Generally such an artist contributes nothing new, for the public acclaims only what it already knows, what it recognizes.
ANDRE GIDE, Pretexts: Reflections on Literature and Morality
5 of 6 people found the following review helpful.
Good opinion but without background or context
By Steve Harrison
This is a short but nicely-written presentation of the author's opinions. He is critical of much modern art and of the modern art market. I happen to agree with him. The problem is that his book requires, rather than provides, an understanding of art or the market. For that I recommend Don Thompson's The Twelve Million Dollar Stuffed Shark. Reading that book, though, makes Spalding's superfluous unless you want to read confirmation of Thompson's opinions from an art expert (Thompson is an economist).
2 of 2 people found the following review helpful.
Opinionated and enjoyable; maybe to the point too
By Dennis
Conceptual art is not all rubbish. But much of it is a put on job. Spalding is right on. And describes the system that supports it with brutal honesty. Shit in a can at the Tate? Then again, if a collection needs to reflect the times so be it. The poor conservation expert though . . .
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